The role of the critic is to help people see what is in the work, what is in it that shouldn’t be, what is not in it that could be. He is a good critic if he helps people understand more about the work than they could see for themselves; he is a great critic, if by his understanding and feeling for the work, by his passion, he can excite people so that they want to experience more of the art that is there, waiting to be seized. The art of the critic is to transmit his knowledge of and enthusiasm for art to others."-Pauline Kael

Wednesday, November 25, 2009

Link of the Day: EUROPA


The second of my two pieces for InRo's Lars von Trier retrospective went up today. It's a review of Europa (A.K.A. Zentropa, in the States), one of the Danish master's earlier, more stylized efforts.

Next up: a fantastic fox, a barren road and putting the lid on 2009.

Saturday, November 21, 2009

Link of the Day: 2012


A new review, of Roland Emmerich's 2012, at In Review Online.

Sunday, November 15, 2009

Link of the Day: THE MEN WHO STARE AT GOATS


For In Review Online, my take on Grant Heslov's The Men Who Stare At Goats.

Thursday, October 29, 2009

Link of the Day: MANDERLAY


Check out my review of Manderlay, the first of two pieces I've written for In Review Online's Lars von Trier retrospective.

Tuesday, October 13, 2009

Coming in February...

Saturday, October 10, 2009

Link of the Day: CAPITALISM: A LOVE STORY


I've got a new review up of Michael Moore's latest (and maybe final?) documentary, Capitalism: A Love Story, over at In Review Online. Next up: a much more Brechtian indictment of evil American institutions, Lars Von Trier's Manderlay.

Sunday, October 4, 2009

Links of the Day: AFTERSCHOOL and THE BOYS ARE BACK


One's a chilly autopsy of our digital media-obsessed age. The other's a warm and fuzzy Rites of Passage picture. Both are now playing in select theaters. Neither are earning big ups from yours truly.

Nearly two years after its hotly debated debut at Sundance '08, Antonio Campos's Afterschool is finally getting a proper U.S. run. I caught it last November in Paris. The review I wrote, freshly starred for your at-a-glance satisfaction, has found a home over at In Review Online. While there, take a gander at my thoughts on Shine director Scott Hick's new weepie The Boys Are Back.